All right. Which one of you beautiful Avengers fans in this world made this.
THIS MADE ME CRY WITH JOY
This is perfection…
Tracks
Alright, if you’re a consumer and you’re considering picking up the new Xbox One console, then please, take a moment to listen to me. Before we begin, no, I am not a fanboy or a hater. I have no console Bias. I have a PS3, Xbox 360, Wii, and a Gaming PC. Each has their pros and cons but now onto business.
DO NOT BUY AN XBOX ONE. Why? See the reasons below:
Xbox Requires an internet connection. Here’s how it works: Every 24 hours your Xbox will try to connect to Microsoft’s servers for verification. If it is unable to connect, sucks to be you. You’re blocked from playing even single player games until it can connect.
Source: http://kotaku.com/xbox-one-does-require-internet-connection-cant-play-o-509164109
Do you like renting games, lending them to a friend, or even borrowing them from a friend? No longer possible. Every Xbox One game you get must be registered to your Xbox live account to be played. After that point it will only work for you. No one else can use it unless they pay a fee. Essentially it works like this. You pick up a used Xbox One game from somewhere or someone, pop it into your console. The system verifies it’s been registered to your account. Uh-oh, it isn’t! In order to play it, you have to pay Microsoft a fee, which is currently slated to be full retail price. Doesn’t matter how scratched up it is or how cheap you got it at gamestop or from a friend. You aren’t just buying the physical copies anymore. You’re paying Microsoft for a LICENSE to be allowed to play that game.
It is worth mentioning Microsoft is exploring ways for you to trade in and resell your used games. This is rumored to mean that you can sell your digital license to play the game (registration) back to microsoft, likely for microsoft points. You can then trade in the game at gamespot for some cash if you like. Either way, as it currently stands, the new owner would still have to pay a fee on top of the price of actually buying the physical copy.
Source: http://www.technobuffalo.com/2013/05/21/xbox-one-fee-for-buying-used-games-full-retail-price/
Is it worth mentioning that Microsoft if shafting Indie Developers as well? Where as on Playstation Network or (whatever the Wii has) Indie Developers can self publish their content easily. Playstation even encourages this. Microsoft however forces these Indie Devs to enter publishing deals with them to be allowed to market their content. You don’t go through them, you don’t get to sell what you developed.
Source: http://www.ign.com/articles/2013/05/22/indie-devs-cant-self-publish-on-xbox-one
I’m not quite done yet! Now, I’m sure you heard a lot about “TV TV TV TV SPORTS TV TV SPORTS SPORTS TV.” Yes, the Xbox is slated to be able to stream live tv, live sports, etc. So let me ask you this. You obviously already have something like cable or DirecTV. Do you really want to shell out hundreds of dollars more and pay a monthly subscription fee to have another television provider? Yes, I said hundreds of dollars, and I don’t mean the cost of the console. To view live TV from the Xbox you are required to purchase ANOTHER separate device for it to work. Why would you even consider shelling out more money for something you already have anyway? Even if you didn’t, DirecTV is cheaper. Or you could even subscribe you Hulu.com and watch live tv on your computer. FOR MUCH CHEAPER. You essentially have to buy another cable box if you don’t have one. And if you do… what do you need the Xbox One for?
Source: http://www.vg247.com/2013/05/21/xbox-one-live-tv-available-in-us-only-at-launch-requires-separate-device/
So far we’ve discovered that the Xbox One is not really a gaming console, at least… not a consumer friendly gaming console. It’s being marketed as an all-in-one home entertainment system. Something to replace all of the other devices in your house. But there are drawbacks even to that. Put on your tin foil hats for this part folks. Take from it what you will, all I’ll say is… possibilities…
The Xbox One’s features will not function unless the Kinect is plugged in and active. This is not an optional piece anymore.
Source: http://www.ign.com/articles/2013/05/21/xbox-one-will-not-function-without-kinect-attached
So imagine your Kinect piece breaks? Tough luck, no more Xbox for you. But you know what’s worse?
Pay attention, because this is important. The Kinect is always watching. Always listening. Even when the system is off.
Yes. One of the ways to turn the system on is to audibly say: “Xbox On” while the system is off. The Kinect, which is always on, hears you and turns it on. Now this might seem like a cool feature, but did you know Microsoft patented a feature that would allow the Kinect’s camera (It’s no longer just a sensor, but a camera) to spy on you for the MPAA (Motion Picture Association of America?) While they may not actually do this, it is actually possible for them to do this now. It has a camera, and a microphone. The Kinect is always on. It is ALWAYS listening, ALWAYS watching.
An idea has been tossed around that by using this feature, it will allows game developers and movie produces to set a limited amount of how many people can be allowed to view the entertainment. So as a hypothetical example, you and three friends are watching a movie, which is the maximum allowed. A fourth friend enters the room and the Kinect’s sensor registers the fourth individual. The movie stops and you a prompted to pay a fee so that the extra individual may also view the film. Again, that is NOT currently the case, but these are the ideas currently being tossed around with the system’s current capabilities.
Source for listening: http://www.theverge.com/2013/5/21/4352596/the-xbox-one-is-always-listening
Source of spying: http://www.extremetech.com/gaming/139706-microsofts-new-kinect-patent-goes-big-brother-will-spy-on-you-for-the-mpaa
Now, just two more things and I’ll be done here!
This isn’t really a good or bad thing, but it’s annoying. It also explains how they can prevent you from playing a used game if you didn’t pay their fee. Xbox one no longer plays games off the discs, you HAVE to install them to the hard-drive in order to play them. I believe PS3 also has you do this (on a number of games but not always it seems), except that PS3 isn’t trying to Nickle and Dime you at every corner. It also seems according to this article there is something related to the Online portion at the beginning of this post. The option is there for Developers to require the Xbox to always be online to play their particular game. Well, it seems PC gamers and console gamers have one thing in common now… DRM.
(At least pirates on PC can bypass DRM easily. Not an option for Consoles.)
Source: http://www.theverge.com/2013/5/21/4352314/xbox-one-hard-drive-game-installs
And last but not least, another annoyance… Xbox One will not be compatible with any and all current headsets. Nope, companies will either have to make new headsets altogether specifically for the Xbox One, and they have to adhere to what Microsoft wants. Look forward to price gouging.
Source: http://www.ign.com/articles/2013/05/22/xbox-one-incompatible-with-current-gaming-headsets
Oh, one more thing… If you have an Xbox 360, don’t get rid of it. Why? Well if you want to keep playing your old 360 games you’ll need it. The Xbox One isn’t backwards compatible. At all. Not only that, but President of Microsoft’s Xbox Division Don Mattrick insults the very notion of backwards compatibility! He calls it: “Backwards thinking.”
Source: http://www.theverge.com/2013/5/21/4350662/new-xbox-has-no-backwards-compatibilty
Source of insult: http://www.polygon.com/2013/5/22/4355984/xbox-one-backward-compatibility-backwards-thinking-don-mattrick
That is all I have to say currently folks, and I hope you took the time to read this far. I’ll conclude with the following… please… PLEASE do not buy this console. Paying for this supports greedy and anti-consumer business practices. Speak with your wallet, and pass up the Xbox One. No matter what games it might have that you want, even if they are exclusive. Do the right thing and make a statement. Refuse to be nickle and dimed like this. Refuse to be seen as a mindless consumer who will buy anything tossed to them.
We won’t know much else until after E3, but as it stands now, the PS4 or a decent gaming PC is the best way to go.
If you are willing to do so, please spread this post around. Liking is not even remotely necessary, but do please share it if you agree with and acknowledge what you’ve read here. The more people know, the fewer of them waste their money.
Thank you, kindly.
~Dylan Jordan
(Originally posted on Facebook by one of my friends. He brings up many valid points. Mind you, I haven’t been a fan of Xbox in a long time and I will most likely get a PS4. But this confirms further for me that I won’t be getting an Xbox one any time in the foreseeable future.)
TL;DR —The XBOX One is going to be a piece of shit and you really shouldn’t even remotely think about getting one.
I’ve been waiting years to finally finish my dream team. In nine months time I will meet the final piece to my puzzle and shall become unstoppable.
I got to say. I’m really into SOTC…
And The wander. The urge to cosplay him is strong.
-
Track Name
Shadow of the Colossus - A Despair-filled Farewell
So I have to admit that Shadow of the Colossus has what might be my favorite soundtrack in the history of video games. So much energy and emotion, it’s breathtaking. Seriously, just listen to this and try to tell me that it doesn’t sound like something from an epic movie. I dare you.
It begins.
![paradelle:
crossedwires:
niqaeli:
I admit, I don’t know Cho that well, so I am glad there are other readings to be had!
And if he is just calling it out simply because he’s tired of it and he feels comfortable doing so even on his own films now, I think that’s fantastic. There’s certainly plenty for him to be calling out.
Heh. Well, I don’t know John Cho either. But he has talked about race & representation before* (and not in a ‘we’re all human, it doesn’t matter’ way), so it’s not completely ‘out of character’ for him to bring it up. I think it probably would be easier on him if he didn’t say anything, but I’m glad he does.
*Re Harold & Kumar (https://www.youtube.com/watch?v=NHEkLBZI1IM 4:07 mark): If you have a Korean and an Indian guy as your leads, you must address race at some point in the movie. You must, because the audience is noting it, really. The other thing is, I think, comedy at its best, treads in taboo waters a little bit. It has to have that transgressive quality to it, and race is the biggest taboo in America. I mean, people are very reluctant to talk about race and yet when you do jokes about race, uh, that work, people are very happy to release tension and laugh about it. But it has been interesting. I’ll make an observation. During the first tour for the first movie, we were talking about race all the time with journalists. It was almost like a process— looking back, the first movie was more concerned with race, but we talked about it so much, I felt that it was in a way…a way of justifying our presence in a motion picture.And from an interview in 2009 http://www.asiaarts.ucla.edu/090703/article.asp?parentID=110145&gt:JC: I recall from the Harold and Kumar movies is my struggle with the advertisers. APA: What happened there? JC: There was all this racial humor in the movie, and the advertising department wanted to say “Starring the Asian guy in American Pie, and the Indian guy from Van Wilder…” and they did go with that, and they submitted that to me for approval, and I said, “I don’t like it.” They asked me why, and I explain it to them, and that was tricky because it’s difficult explaining to my own representatives, why that didn’t jibe with me, because everyone kind of felt like it was keeping in tone with the movie. And I said, “I don’t like it. We’re poking fun at racism in the movie all the time, but it puts the audience on the wrong side of the racism joke.” So they were playing with the wording a little bit in the edits, and they kept coming up with versions to make me happy, but they were essentially the same thing, and I finally said, “you are not going to make me happy. You’re dancing around it, and you’re clearly attached to this idea, and I want you to know that no version of this idea will make me happy. And if you’re afraid that I won’t show up to do promotion because of this bitterness, you can rest assured that that’s not true. I consider promoting a movie part of my duties, and I will show up nevertheless. But you can either use this campaign and know that I’m unhappy, or you can change it and know that I’m happy. That’s it. Stop trying.” And eventually they went with it, and it’s one of those things where I look back and I’ve very proud of the movie, but that’s the thing I remember.APA: Last question…for Harold and Kumar Escape From Guantanamo Bay, Viva La Union recorded a song for the soundtrack with the line, “I want my own Chinese baby” — what’s that about?JC: When I was thinking about it, I thought of a literal baby. There’s a kind of lack that children fill, that’s just the dark side of being a parent, I think. And there’s an accessory quality to Chinese babies in America, and I just think it’s funny. I just liked it. And you know, I would know people who would fawn over Asian babies more, and it got me to thinking, there’s this belief that Asian babies are really cute, and it got me thinking that our whole race is infantilized to some degree, and it manifests itself in different ways. You infantilize a woman, and she becomes eroticized. You infantilize a man, and he becomes emasculated. You infantilize a baby [laughs] — and it’s possible, it appears that you can infantilize a baby even more. [laughs] The babies need to be cuter than white babies. And it’s just a weird thing that I felt like said something about mainstream America’s relationship to Asians in general. So that’s where it came from.
Also this interview: http://blog.angryasianman.com/2008/04/q-with-john-cho.html
“And yes, I do feel a responsibility, and always have, and it’s been an odd burden for me. Even when I started and no one gave a shit, I was trying to avoid doing roles—and it’s no accident that I’ve never done something with a chop suey accent. It’s no accident that I’ve never played those parts. I strongly believe there are a lot of Asian American actors who think that that’s the price to pay before you get to wherever you’re going. And I take real issue with that. Because you have to maintain integrity from the start, and on a personal level, you have to not do something that’s going to make you sick to your stomach. But on a political level, how are things supposed to ever change if there’s someone willing to do it? I can tell you now, having worked in the business, that you can gather an army of people to hold picket signs and stand outside the studio, and say, “we destest this portrayal”… but it doesn’t matter if there’s a guy—who they know, a peer—who’s willing to do it, who stands in front of the crew and does the buck-tooth accent. If he or she is willing to do it, it makes the protestors look like extremists. It makes this guy look like the normal guy. Because we all work in the same industry. So the willingness of one actor negates a thousand protestors and a thousand angry letters.”
(So I can see why Butawhiteman Cantbekhan playing Khan would be deeply upsetting to him, even if Cho wasn’t in this movie.)
I love him 1000 times just for flawlessly articulating this racist absurdity in the most succinct and accurate way I’ve ever encountered.](http://25.media.tumblr.com/6427115fcab75020783abd67154e216f/tumblr_mn4vaaQFLM1qb10wfo1_250.gif)
![paradelle:
crossedwires:
niqaeli:
I admit, I don’t know Cho that well, so I am glad there are other readings to be had!
And if he is just calling it out simply because he’s tired of it and he feels comfortable doing so even on his own films now, I think that’s fantastic. There’s certainly plenty for him to be calling out.
Heh. Well, I don’t know John Cho either. But he has talked about race & representation before* (and not in a ‘we’re all human, it doesn’t matter’ way), so it’s not completely ‘out of character’ for him to bring it up. I think it probably would be easier on him if he didn’t say anything, but I’m glad he does.
*Re Harold & Kumar (https://www.youtube.com/watch?v=NHEkLBZI1IM 4:07 mark): If you have a Korean and an Indian guy as your leads, you must address race at some point in the movie. You must, because the audience is noting it, really. The other thing is, I think, comedy at its best, treads in taboo waters a little bit. It has to have that transgressive quality to it, and race is the biggest taboo in America. I mean, people are very reluctant to talk about race and yet when you do jokes about race, uh, that work, people are very happy to release tension and laugh about it. But it has been interesting. I’ll make an observation. During the first tour for the first movie, we were talking about race all the time with journalists. It was almost like a process— looking back, the first movie was more concerned with race, but we talked about it so much, I felt that it was in a way…a way of justifying our presence in a motion picture.And from an interview in 2009 http://www.asiaarts.ucla.edu/090703/article.asp?parentID=110145&gt:JC: I recall from the Harold and Kumar movies is my struggle with the advertisers. APA: What happened there? JC: There was all this racial humor in the movie, and the advertising department wanted to say “Starring the Asian guy in American Pie, and the Indian guy from Van Wilder…” and they did go with that, and they submitted that to me for approval, and I said, “I don’t like it.” They asked me why, and I explain it to them, and that was tricky because it’s difficult explaining to my own representatives, why that didn’t jibe with me, because everyone kind of felt like it was keeping in tone with the movie. And I said, “I don’t like it. We’re poking fun at racism in the movie all the time, but it puts the audience on the wrong side of the racism joke.” So they were playing with the wording a little bit in the edits, and they kept coming up with versions to make me happy, but they were essentially the same thing, and I finally said, “you are not going to make me happy. You’re dancing around it, and you’re clearly attached to this idea, and I want you to know that no version of this idea will make me happy. And if you’re afraid that I won’t show up to do promotion because of this bitterness, you can rest assured that that’s not true. I consider promoting a movie part of my duties, and I will show up nevertheless. But you can either use this campaign and know that I’m unhappy, or you can change it and know that I’m happy. That’s it. Stop trying.” And eventually they went with it, and it’s one of those things where I look back and I’ve very proud of the movie, but that’s the thing I remember.APA: Last question…for Harold and Kumar Escape From Guantanamo Bay, Viva La Union recorded a song for the soundtrack with the line, “I want my own Chinese baby” — what’s that about?JC: When I was thinking about it, I thought of a literal baby. There’s a kind of lack that children fill, that’s just the dark side of being a parent, I think. And there’s an accessory quality to Chinese babies in America, and I just think it’s funny. I just liked it. And you know, I would know people who would fawn over Asian babies more, and it got me to thinking, there’s this belief that Asian babies are really cute, and it got me thinking that our whole race is infantilized to some degree, and it manifests itself in different ways. You infantilize a woman, and she becomes eroticized. You infantilize a man, and he becomes emasculated. You infantilize a baby [laughs] — and it’s possible, it appears that you can infantilize a baby even more. [laughs] The babies need to be cuter than white babies. And it’s just a weird thing that I felt like said something about mainstream America’s relationship to Asians in general. So that’s where it came from.
Also this interview: http://blog.angryasianman.com/2008/04/q-with-john-cho.html
“And yes, I do feel a responsibility, and always have, and it’s been an odd burden for me. Even when I started and no one gave a shit, I was trying to avoid doing roles—and it’s no accident that I’ve never done something with a chop suey accent. It’s no accident that I’ve never played those parts. I strongly believe there are a lot of Asian American actors who think that that’s the price to pay before you get to wherever you’re going. And I take real issue with that. Because you have to maintain integrity from the start, and on a personal level, you have to not do something that’s going to make you sick to your stomach. But on a political level, how are things supposed to ever change if there’s someone willing to do it? I can tell you now, having worked in the business, that you can gather an army of people to hold picket signs and stand outside the studio, and say, “we destest this portrayal”… but it doesn’t matter if there’s a guy—who they know, a peer—who’s willing to do it, who stands in front of the crew and does the buck-tooth accent. If he or she is willing to do it, it makes the protestors look like extremists. It makes this guy look like the normal guy. Because we all work in the same industry. So the willingness of one actor negates a thousand protestors and a thousand angry letters.”
(So I can see why Butawhiteman Cantbekhan playing Khan would be deeply upsetting to him, even if Cho wasn’t in this movie.)
I love him 1000 times just for flawlessly articulating this racist absurdity in the most succinct and accurate way I’ve ever encountered.](http://25.media.tumblr.com/1be545bfc42effe3a45135e06349bbd4/tumblr_mn4vaaQFLM1qb10wfo2_250.gif)
![paradelle:
crossedwires:
niqaeli:
I admit, I don’t know Cho that well, so I am glad there are other readings to be had!
And if he is just calling it out simply because he’s tired of it and he feels comfortable doing so even on his own films now, I think that’s fantastic. There’s certainly plenty for him to be calling out.
Heh. Well, I don’t know John Cho either. But he has talked about race & representation before* (and not in a ‘we’re all human, it doesn’t matter’ way), so it’s not completely ‘out of character’ for him to bring it up. I think it probably would be easier on him if he didn’t say anything, but I’m glad he does.
*Re Harold & Kumar (https://www.youtube.com/watch?v=NHEkLBZI1IM 4:07 mark): If you have a Korean and an Indian guy as your leads, you must address race at some point in the movie. You must, because the audience is noting it, really. The other thing is, I think, comedy at its best, treads in taboo waters a little bit. It has to have that transgressive quality to it, and race is the biggest taboo in America. I mean, people are very reluctant to talk about race and yet when you do jokes about race, uh, that work, people are very happy to release tension and laugh about it. But it has been interesting. I’ll make an observation. During the first tour for the first movie, we were talking about race all the time with journalists. It was almost like a process— looking back, the first movie was more concerned with race, but we talked about it so much, I felt that it was in a way…a way of justifying our presence in a motion picture.And from an interview in 2009 http://www.asiaarts.ucla.edu/090703/article.asp?parentID=110145&gt:JC: I recall from the Harold and Kumar movies is my struggle with the advertisers. APA: What happened there? JC: There was all this racial humor in the movie, and the advertising department wanted to say “Starring the Asian guy in American Pie, and the Indian guy from Van Wilder…” and they did go with that, and they submitted that to me for approval, and I said, “I don’t like it.” They asked me why, and I explain it to them, and that was tricky because it’s difficult explaining to my own representatives, why that didn’t jibe with me, because everyone kind of felt like it was keeping in tone with the movie. And I said, “I don’t like it. We’re poking fun at racism in the movie all the time, but it puts the audience on the wrong side of the racism joke.” So they were playing with the wording a little bit in the edits, and they kept coming up with versions to make me happy, but they were essentially the same thing, and I finally said, “you are not going to make me happy. You’re dancing around it, and you’re clearly attached to this idea, and I want you to know that no version of this idea will make me happy. And if you’re afraid that I won’t show up to do promotion because of this bitterness, you can rest assured that that’s not true. I consider promoting a movie part of my duties, and I will show up nevertheless. But you can either use this campaign and know that I’m unhappy, or you can change it and know that I’m happy. That’s it. Stop trying.” And eventually they went with it, and it’s one of those things where I look back and I’ve very proud of the movie, but that’s the thing I remember.APA: Last question…for Harold and Kumar Escape From Guantanamo Bay, Viva La Union recorded a song for the soundtrack with the line, “I want my own Chinese baby” — what’s that about?JC: When I was thinking about it, I thought of a literal baby. There’s a kind of lack that children fill, that’s just the dark side of being a parent, I think. And there’s an accessory quality to Chinese babies in America, and I just think it’s funny. I just liked it. And you know, I would know people who would fawn over Asian babies more, and it got me to thinking, there’s this belief that Asian babies are really cute, and it got me thinking that our whole race is infantilized to some degree, and it manifests itself in different ways. You infantilize a woman, and she becomes eroticized. You infantilize a man, and he becomes emasculated. You infantilize a baby [laughs] — and it’s possible, it appears that you can infantilize a baby even more. [laughs] The babies need to be cuter than white babies. And it’s just a weird thing that I felt like said something about mainstream America’s relationship to Asians in general. So that’s where it came from.
Also this interview: http://blog.angryasianman.com/2008/04/q-with-john-cho.html
“And yes, I do feel a responsibility, and always have, and it’s been an odd burden for me. Even when I started and no one gave a shit, I was trying to avoid doing roles—and it’s no accident that I’ve never done something with a chop suey accent. It’s no accident that I’ve never played those parts. I strongly believe there are a lot of Asian American actors who think that that’s the price to pay before you get to wherever you’re going. And I take real issue with that. Because you have to maintain integrity from the start, and on a personal level, you have to not do something that’s going to make you sick to your stomach. But on a political level, how are things supposed to ever change if there’s someone willing to do it? I can tell you now, having worked in the business, that you can gather an army of people to hold picket signs and stand outside the studio, and say, “we destest this portrayal”… but it doesn’t matter if there’s a guy—who they know, a peer—who’s willing to do it, who stands in front of the crew and does the buck-tooth accent. If he or she is willing to do it, it makes the protestors look like extremists. It makes this guy look like the normal guy. Because we all work in the same industry. So the willingness of one actor negates a thousand protestors and a thousand angry letters.”
(So I can see why Butawhiteman Cantbekhan playing Khan would be deeply upsetting to him, even if Cho wasn’t in this movie.)
I love him 1000 times just for flawlessly articulating this racist absurdity in the most succinct and accurate way I’ve ever encountered.](http://24.media.tumblr.com/4f5a49d2b1cc8f6c2e69f2101512e6cc/tumblr_mn4vaaQFLM1qb10wfo3_250.gif)
![paradelle:
crossedwires:
niqaeli:
I admit, I don’t know Cho that well, so I am glad there are other readings to be had!
And if he is just calling it out simply because he’s tired of it and he feels comfortable doing so even on his own films now, I think that’s fantastic. There’s certainly plenty for him to be calling out.
Heh. Well, I don’t know John Cho either. But he has talked about race & representation before* (and not in a ‘we’re all human, it doesn’t matter’ way), so it’s not completely ‘out of character’ for him to bring it up. I think it probably would be easier on him if he didn’t say anything, but I’m glad he does.
*Re Harold & Kumar (https://www.youtube.com/watch?v=NHEkLBZI1IM 4:07 mark): If you have a Korean and an Indian guy as your leads, you must address race at some point in the movie. You must, because the audience is noting it, really. The other thing is, I think, comedy at its best, treads in taboo waters a little bit. It has to have that transgressive quality to it, and race is the biggest taboo in America. I mean, people are very reluctant to talk about race and yet when you do jokes about race, uh, that work, people are very happy to release tension and laugh about it. But it has been interesting. I’ll make an observation. During the first tour for the first movie, we were talking about race all the time with journalists. It was almost like a process— looking back, the first movie was more concerned with race, but we talked about it so much, I felt that it was in a way…a way of justifying our presence in a motion picture.And from an interview in 2009 http://www.asiaarts.ucla.edu/090703/article.asp?parentID=110145&gt:JC: I recall from the Harold and Kumar movies is my struggle with the advertisers. APA: What happened there? JC: There was all this racial humor in the movie, and the advertising department wanted to say “Starring the Asian guy in American Pie, and the Indian guy from Van Wilder…” and they did go with that, and they submitted that to me for approval, and I said, “I don’t like it.” They asked me why, and I explain it to them, and that was tricky because it’s difficult explaining to my own representatives, why that didn’t jibe with me, because everyone kind of felt like it was keeping in tone with the movie. And I said, “I don’t like it. We’re poking fun at racism in the movie all the time, but it puts the audience on the wrong side of the racism joke.” So they were playing with the wording a little bit in the edits, and they kept coming up with versions to make me happy, but they were essentially the same thing, and I finally said, “you are not going to make me happy. You’re dancing around it, and you’re clearly attached to this idea, and I want you to know that no version of this idea will make me happy. And if you’re afraid that I won’t show up to do promotion because of this bitterness, you can rest assured that that’s not true. I consider promoting a movie part of my duties, and I will show up nevertheless. But you can either use this campaign and know that I’m unhappy, or you can change it and know that I’m happy. That’s it. Stop trying.” And eventually they went with it, and it’s one of those things where I look back and I’ve very proud of the movie, but that’s the thing I remember.APA: Last question…for Harold and Kumar Escape From Guantanamo Bay, Viva La Union recorded a song for the soundtrack with the line, “I want my own Chinese baby” — what’s that about?JC: When I was thinking about it, I thought of a literal baby. There’s a kind of lack that children fill, that’s just the dark side of being a parent, I think. And there’s an accessory quality to Chinese babies in America, and I just think it’s funny. I just liked it. And you know, I would know people who would fawn over Asian babies more, and it got me to thinking, there’s this belief that Asian babies are really cute, and it got me thinking that our whole race is infantilized to some degree, and it manifests itself in different ways. You infantilize a woman, and she becomes eroticized. You infantilize a man, and he becomes emasculated. You infantilize a baby [laughs] — and it’s possible, it appears that you can infantilize a baby even more. [laughs] The babies need to be cuter than white babies. And it’s just a weird thing that I felt like said something about mainstream America’s relationship to Asians in general. So that’s where it came from.
Also this interview: http://blog.angryasianman.com/2008/04/q-with-john-cho.html
“And yes, I do feel a responsibility, and always have, and it’s been an odd burden for me. Even when I started and no one gave a shit, I was trying to avoid doing roles—and it’s no accident that I’ve never done something with a chop suey accent. It’s no accident that I’ve never played those parts. I strongly believe there are a lot of Asian American actors who think that that’s the price to pay before you get to wherever you’re going. And I take real issue with that. Because you have to maintain integrity from the start, and on a personal level, you have to not do something that’s going to make you sick to your stomach. But on a political level, how are things supposed to ever change if there’s someone willing to do it? I can tell you now, having worked in the business, that you can gather an army of people to hold picket signs and stand outside the studio, and say, “we destest this portrayal”… but it doesn’t matter if there’s a guy—who they know, a peer—who’s willing to do it, who stands in front of the crew and does the buck-tooth accent. If he or she is willing to do it, it makes the protestors look like extremists. It makes this guy look like the normal guy. Because we all work in the same industry. So the willingness of one actor negates a thousand protestors and a thousand angry letters.”
(So I can see why Butawhiteman Cantbekhan playing Khan would be deeply upsetting to him, even if Cho wasn’t in this movie.)
I love him 1000 times just for flawlessly articulating this racist absurdity in the most succinct and accurate way I’ve ever encountered.](http://24.media.tumblr.com/bd0d552c1060d01182189b61beb2ed36/tumblr_mn4vaaQFLM1qb10wfo4_250.gif)
I admit, I don’t know Cho that well, so I am glad there are other readings to be had!And if he is just calling it out simply because he’s tired of it and he feels comfortable doing so even on his own films now, I think that’s fantastic. There’s certainly plenty for him to be calling out.
Heh. Well, I don’t know John Cho either. But he has talked about race & representation before* (and not in a ‘we’re all human, it doesn’t matter’ way), so it’s not completely ‘out of character’ for him to bring it up. I think it probably would be easier on him if he didn’t say anything, but I’m glad he does.
*Re Harold & Kumar (https://www.youtube.com/watch?v=NHEkLBZI1IM 4:07 mark): If you have a Korean and an Indian guy as your leads, you must address race at some point in the movie. You must, because the audience is noting it, really. The other thing is, I think, comedy at its best, treads in taboo waters a little bit. It has to have that transgressive quality to it, and race is the biggest taboo in America. I mean, people are very reluctant to talk about race and yet when you do jokes about race, uh, that work, people are very happy to release tension and laugh about it. But it has been interesting. I’ll make an observation. During the first tour for the first movie, we were talking about race all the time with journalists. It was almost like a process— looking back, the first movie was more concerned with race, but we talked about it so much, I felt that it was in a way…a way of justifying our presence in a motion picture.
And from an interview in 2009 http://www.asiaarts.ucla.edu/090703/article.asp?parentID=110145>:
JC: I recall from the Harold and Kumar movies is my struggle with the advertisers.
APA: What happened there?
JC: There was all this racial humor in the movie, and the advertising department wanted to say “Starring the Asian guy in American Pie, and the Indian guy from Van Wilder…” and they did go with that, and they submitted that to me for approval, and I said, “I don’t like it.” They asked me why, and I explain it to them, and that was tricky because it’s difficult explaining to my own representatives, why that didn’t jibe with me, because everyone kind of felt like it was keeping in tone with the movie. And I said, “I don’t like it. We’re poking fun at racism in the movie all the time, but it puts the audience on the wrong side of the racism joke.” So they were playing with the wording a little bit in the edits, and they kept coming up with versions to make me happy, but they were essentially the same thing, and I finally said, “you are not going to make me happy. You’re dancing around it, and you’re clearly attached to this idea, and I want you to know that no version of this idea will make me happy. And if you’re afraid that I won’t show up to do promotion because of this bitterness, you can rest assured that that’s not true. I consider promoting a movie part of my duties, and I will show up nevertheless. But you can either use this campaign and know that I’m unhappy, or you can change it and know that I’m happy. That’s it. Stop trying.” And eventually they went with it, and it’s one of those things where I look back and I’ve very proud of the movie, but that’s the thing I remember.
APA: Last question…for Harold and Kumar Escape From Guantanamo Bay, Viva La Union recorded a song for the soundtrack with the line, “I want my own Chinese baby” — what’s that about?
JC: When I was thinking about it, I thought of a literal baby. There’s a kind of lack that children fill, that’s just the dark side of being a parent, I think. And there’s an accessory quality to Chinese babies in America, and I just think it’s funny. I just liked it. And you know, I would know people who would fawn over Asian babies more, and it got me to thinking, there’s this belief that Asian babies are really cute, and it got me thinking that our whole race is infantilized to some degree, and it manifests itself in different ways. You infantilize a woman, and she becomes eroticized. You infantilize a man, and he becomes emasculated. You infantilize a baby [laughs] — and it’s possible, it appears that you can infantilize a baby even more. [laughs] The babies need to be cuter than white babies. And it’s just a weird thing that I felt like said something about mainstream America’s relationship to Asians in general. So that’s where it came from.Also this interview: http://blog.angryasianman.com/2008/04/q-with-john-cho.html
“And yes, I do feel a responsibility, and always have, and it’s been an odd burden for me. Even when I started and no one gave a shit, I was trying to avoid doing roles—and it’s no accident that I’ve never done something with a chop suey accent. It’s no accident that I’ve never played those parts. I strongly believe there are a lot of Asian American actors who think that that’s the price to pay before you get to wherever you’re going. And I take real issue with that. Because you have to maintain integrity from the start, and on a personal level, you have to not do something that’s going to make you sick to your stomach.
But on a political level, how are things supposed to ever change if there’s someone willing to do it? I can tell you now, having worked in the business, that you can gather an army of people to hold picket signs and stand outside the studio, and say, “we destest this portrayal”… but it doesn’t matter if there’s a guy—who they know, a peer—who’s willing to do it, who stands in front of the crew and does the buck-tooth accent. If he or she is willing to do it, it makes the protestors look like extremists. It makes this guy look like the normal guy. Because we all work in the same industry. So the willingness of one actor negates a thousand protestors and a thousand angry letters.”(So I can see why Butawhiteman Cantbekhan playing Khan would be deeply upsetting to him, even if Cho wasn’t in this movie.)
I love him 1000 times just for flawlessly articulating this racist absurdity in the most succinct and accurate way I’ve ever encountered.
(Source: whitelaws)
I HAVE BEEN LOOKING FOR THIS PICTURE FOR SO LONG
My mom just told me I was going to Hell for laughing at this
THEY SEE ME ROLLIN’, THEY PRAYIN’
(Source: elle-luminati)
OH COOL LOOK A NEW MESSAGE!
WRONG!
THAT BAD BOY RIGHT THERE IS A VIRUS.
YEP, YOU HIT THAT TEMPTING LITTLE CIRCLE AND YOU HAVE A ONE WAY TRIP TO VIRUS-VILLE ON THE MY COMPUTER IS NOW CRASHED BUS!
DON’T CLICK IT.
CLICK IT AND YOUR HACKED.
CLICK IT AND YOUR COMPUTER DIES.
CLICK IT AND BASICALLY YOU’RE SCREWED.
If you’re a girl and you hit, punch, or physically harm your boyfriend in any way it’s still considered abuse and you’re equally as much of a piece of shit as any guy that hits his girlfriend. Seriously the amount of girls that disagree with this is ridiculous, and they’re all fucking stupid. Sorry not sorry.
R.O.B. in New York City.
This is great!
![knighting:
[o]](http://25.media.tumblr.com/08efd0e42f8a6f319ceb547c3e68fae0/tumblr_mmbgszZ6f41qiebjxo1_500.jpg)
[o]
this is a psa
social anxiety is:
a feeling of being judged by others, a sometimes crippling anxiety or fear of people or social situations
it is not:
being a loner and/or not having too many friends
thank you
